I only hope that we never lose sight of one thing, that it was all started by a mouse
- Walt Disney
Walter Elias "Walt" Disney (December 5, 1901 – December 15, 1966), was an American film producer, director, screenwriter, voice actor, and animator. One of the most well-known motion picture producers in the world, Disney was also the creator of an American theme park called Disneyland, and is the co-founder with his brother Roy O. Disney of Walt Disney Productions, the profitable corporation now known as The Walt Disney Company.
Walt Disney is in particular noted for being a successful storyteller, a hands-on film producer, and a popular showman. He and his staff created a number of the world’s most popular animated properties, including the one many consider Disney’s alter-ego, Mickey Mouse.
Disney was born in Chicago, Illinois to Elias Disney and Flora Call. He was named after his father and after his father's close friend Walter Parr, the minister at St. Paul Congregational Church. In 1906, his family moved to a farm near Marceline, Missouri. The family sold the farm in 1909 and lived in a rented house until 1910, when they moved to Kansas City. Disney was nine years old at the time.
According to the Kansas City Public School District records, Disney began attending the Benton Grammar School in 1911, and graduated on June 8, 1917. During this time, Disney also enrolled in classes at the Chicago Art Institute. He left school at the age of sixteen and became a volunteer ambulance driver in World War I, after he changed his birth certificate to show his year of birth as 1900 in order to be able to enlist in the service. He served as a member of the American Red Cross Ambulance Force in France until 1919.
1920-1936: Early years in animationEdit
Kansas City animation studiosEdit
Disney returned to the USA, moved to Kansas City and, with Ub Iwerks, formed a company called "Iwerks-Disney Commercial Artists" in January 1920. The company faltered and Disney and Iwerks soon gained employment at the Kansas City Film Ad Corporation, working on primitive animated advertisements for local movie houses.
In 1922, Disney started Laugh-O-Grams, Inc., which produced short cartoons based on popular fairy tales and children’s stories. Among his employees were Iwerks, Hugh Harman, Rudolph Ising, Carmen Maxwell, and Friz Freleng. The shorts were popular in the local Kansas city area, but their costs exceeded their returns. After creating one last short, the live-action/animation Alice’s Wonderland, the studio declared bankruptcy in July 1923. Disney's brother Roy invited him to move to Hollywood, California, and Disney earned enough money for a one-way train ticket to California, leaving his staff behind, but taking the finished reel of Alice’s Wonderland with him.
Alice Comedies: Contract and new California studioEdit
Disney set up shop with his brother Roy, started the Disney Brothers Studio in their Uncle Robert’s garage, and got a distribution deal with New York City states-rights distributors Margaret Winkler and her fiancée Charles Mintz. Virginia Davis, the live-action star of Alice’s Wonderland, was sequestered from Kansas, as was Ub Iwerks. By 1926, the Disney Brothers Studio had been renamed as the Walt Disney Studio; the name Walt Disney Productions would be adopted in 1928. One of the studio’s employees, Lillian Bounds, became Walt Disney’s wife; they were married on July 13 1925.
The Alice Comedies were reasonably successful, and featured both Dawn O'Day and Margie Gay as Alice after Virginia Davis’ parents pulled her out of the series because of a pay cut. Lois Hardwick also briefly assumed the role. By the time the series ended in 1927, the focus was more on the animated characters, in particular a cat named Julius who recalled Felix the Cat, rather than the live-action Alice.
Oswald the Lucky RabbitEdit
By 1927, Charles Mintz had married Margaret Winkler and assumed control of her business, and ordered a new all-animated series to be put into production for distribution through Universal Pictures. The new series, Oswald the Lucky Rabbit, was an almost instant success, and the Oswald character became a popular property. The Disney studio expanded, and Walt hired Harman, Ising, Maxwell, and Freleng from Kansas City.
In February 1928, Disney went to New York to negotiate a higher fee per short from Mintz, but was shocked when Mintz announced that not only did he want to reduce the fee he paid Disney per short, but that he had most of his main animators, including Harman, Ising, Maxwell, and Freleng, but notably excepting Ub Iwerks, under contract and would start his own studio if Disney did not accept the reduced production budgets. Universal, not Disney, owned the Oswald trademark, and could make the films without Disney. Disney declined, lost most of his animation staff, and he, Iwerks, and the few non-defecting animators secretly began work on a new mouse character to take Oswald’s place. The defectors became the nucleus of the Winkler Studio, run by Mintz and his brother-in-law George Winkler. When that studio went under after Universal assigned production of the Oswald shorts to an in-house division run by Walter Lantz, Mintz focused his attentions on the studio making the Krazy Kat shorts, which later became Screen Gems, and Harman, Ising, Maxwell, and Freleng marketed a Oswald-like character named Bosko to Leon Schlesinger and Warner Bros., and began work on the first entries in the Looney Tunes series.
The Creation of Mickey Mouse Edit
Christened by Lillian Disney, Mickey Mouse made his film debut in a short called Plane Crazy, which was, like all of Disney’s previous works, a silent film. After failing to find distributor interest in Plane Crazy or its follow-up, The Gallopin' Gaucho, Disney created a Mickey cartoon with sound called Steamboat Willie. A businessman named Pat Powers provided Disney with both distribution and the Cinephone, a bootlegged sound-synchronization process. Steamboat Willie became a success, and Plane Crazy, The Galloping Gaucho, and all future Mickey cartoons were released with soundtracks. Disney himself provided the vocal effects for the earliest cartoons and performed as the voice of Mickey Mouse until 1947.
Joining the Mickey Mouse series in 1929 were a series of musical shorts called Silly Symphonies, which began with The Skeleton Dance. Although both series were successful, the Disney studio was not seeing its rightful share of profits from Pat Powers, and in 1930, Disney signed a new distribution deal with Columbia Pictures, leaving behind Powers and Ub Iwerks, who had been lured into an exclusive contract with Powers. After heading the only mildly successful Ub Iwerks Studio, Iwerks would return to Disney in 1940 and, in the studio's research and development department, pioneer a number of film processes and specialized animation technologies.
By 1932, Mickey Mouse became the most popular cartoon character on the screen, and many competing studios such as Van Beuren and Screen Gems created Mickey Mouse clones in hopes of cashing in on Disney’s success. After moving from Columbia to United Artists in 1932, Walt began producing the Silly Symphonies in the new 3-strip Technicolor process, making them the first commercial films presented in a true-color process. The first color Symphony was Flowers and Trees, which won the first Academy Award for Best Short Subject: Cartoons in 1932. The same year, Disney received a special Academy Award for the creation of Mickey Mouse, whose series was moved into color in 1935 and soon launched spin-off series for supporting characters such as Donald Duck, Goofy, and Pluto.
As Mickey’s co-creator and producer, Disney was almost as famous as his mouse cartoon character, but remained a largely private individual. His greatest hope was to give birth to a child—preferably a son—but he and Lillian tried with no luck. Lillian finally gave birth to a daughter, Diane Marie Disney, on December 18, 1933; and the couple would adopt a second, Sharon Mae Disney, who was born December 21, 1936.
1937-1954: Animated feature filmsEdit
"Disney's Folly": Snow White and the Seven DwarfsEdit
Although his studio produced the two most successful cartoon series in the industry, the returns were still dissatisfying to Disney, and he began plans for a full-length feature in 1934. When the rest of the film industry learned of Disney’s plans to produce an animated feature-length version of Snow White, they dubbed the project "Disney’s Folly" and were certain that the project would destroy the Disney studio. Both Lillian and Roy tried to talk Disney out of the project, but he continued plans for the feature. He employed Chouinard Art Institute professor Don Graham to start a training operation for the studio staff, and used the Silly Symphonies as a platform for experiments in realistic human animation, distinctive character animation, special effects, and the use of specialized processes and apparatus such as the multiplane camera.
All of this development and training was used to elevate the quality of the studio so that it would be able to give the feature the quality Disney desired. Snow White and the Seven Dwarfs, as the feature was named, was in full production from 1935 until mid-1937, when the studio ran out of money. To acquire the funding to complete Snow White, Disney had to show a rough cut of the motion picture to loan officers at the Bank of America, who gave the studio the money to finish the picture. The finished film premiered at the Carthay Circle Theater on December 21, 1937; at the conclusion of the film the audience gave Snow White and the Seven Dwarfs a standing ovation. The first animated feature in English and Technicolor, Snow White was released in February 1938 under a new distribution deal with RKO Radio Pictures. The film became the most successful motion picture of 1938 and earned over US$8 million (today US$98 million) in its original theatrical release. The success of Snow White allowed Disney to build a new campus for the Walt Disney Studios in Burbank, which opened for business on December 24 1939. The feature animation staff, having just completed Pinocchio, continued work on Fantasia and Bambi, while the shorts staff continued work on the Mickey Mouse, Donald Duck, Goofy, and Pluto cartoon series, ending the Silly Symphonies at this time.
Pinocchio and Fantasia followed Snow White into movie theatres in 1940, but both were financial disappointments. The inexpensive Dumbo was planned as an income generator, but during production of the new film, most of the animation staff went on strike, permanently straining the relationship between Disney and his artists.
Shortly after Dumbo was released in October 1941 and became a successful moneymaker, the United States entered World War II. The U.S. Army took over most of the Disney studio’s facilities and had the staff create training and instructional films for the military, as well as home-front propaganda such as Der Fuehrer's Face and the feature film Victory Through Air Power in 1943. The military films did not generate income, however, and Bambi underperformed when it was released in April 1942. Disney successfully re-issued Snow White in 1944, establishing the seven-year re-release tradition for Disney features.
Inexpensive package films, containing collections of cartoon shorts, were created and issued to theaters during this period as well. The most notable and successful of these were Saludos Amigos (1942), its sequel The Three Caballeros (1945), Song of the South (the first Disney feature to feature dramatic actors, 1946), Fun and Fancy Free (1947), and The Adventures of Ichabod and Mr. Toad (1949). The later had only two sections: the first based on The Legend of Sleepy Hollow by Washington Irving and the second based on The Wind in the Willows by Kenneth Grahame.
By the late 1940s, the studio had recovered enough to continue production on the full-length features Alice in Wonderland and Peter Pan, which had been shelved during the war years and began work on Cinderella. The studio also began a series of live-action nature films, entitled True-Life Adventures, in 1948 with On Seal Island.
A dark chapterEdit
In 1947, during the dark early years of the Cold War, Walt Disney testified before the House Un-American Activities Committee, and he named several of his employees as Communist sympathizers. Some historians believe that the animosity from the 1941 strike of Disney Studio employees caused him to bear a grudge. His dislike and distrust of labor unions may have also led to his testimony.
1955-1966: Theme Parks and BeyondEdit
Carolwood Pacific Railroad Edit
In 1949, when Disney and his family moved to a new home on large piece of property in the in the Holmby Hills district of Los Angeles, California, with the help of his friends Ward and Betty Kimball, owners of their own backyard railroad, Disney developed the blueprints and immediately set to work creating his own miniature railroad in his backyard. The name of the railroad, Carolwood Pacific Railroad, originated from the address of his home which was located on Carolwood Drive. The railroad's half-mile long layout included a 46-foot-long trestle, loops, overpasses, gradients, an elevated dirt berm, and a 90-foot tunnel underneath Mrs. Disney's flower bed. He even named the miniature working steam locomotive built by Roger E. Broggie of the Disney Studios Lilly Belle in his wife's honor.
On a business trip to Chicago in the late 1940s, Disney drew sketches of his ideas for a amusement park where he envisioned his employees spending time with their children. These ideas developed into a concept for a larger enterprise which was to become Disneyland. Disney spent five years of his life developing Disneyland and created a new subsdiary of his company, called WED Enterprises, to carry out the planning and production of the park. A small group of Disney studio employees joined the Disneyland development project as engineers and planners, and were dubbed Imagineers.
When presenting his plan to the Imagineers, Disney said "I want Disneyland to be the most amazing place on Earth, and I want a train circling it". Entertaining his daughters and their friends in his backyard and taking them for rides on his Carolwood Pacific Railroad had inspired Disney to include a railroad in the plans for Disneyland.
Expanding into new areasEdit
As Walt Disney Productions began work on Disneyland, it also began expanding its other entertainment operations. 1950's Treasure Island became the studio's first all-live-action feature ,and was soon followed by such successes as 20,000 Leagues Under the Sea (in CinemaScope, 1954), The Shaggy Dog (1959), and The Parent Trap (1960). The Walt Disney Studio was one of the first to take full advantage of the then-new medium of television, producing its first TV special, One Hour in Wonderland, in 1950. Walt Disney began hosting a weekly anthology series on ABC named Disneyland after the park, where he showed clips of past Disney productions, gave tours of his studio, and familiarized the public with Disneyland as it was being constructed in Anaheim, California. In 1955, he debuted the studio's first daily television show, the popular Mickey Mouse Club, which would continue in many various incarnations into the 1990s.
As the studio expanded and diversified into other media, Disney devoted less of his attention to the animation department, entrusting most of its operations to his key animators, whom he dubbed the Nine Old Men. During Disney’s life time, the animation department created the successful Lady and the Tramp (in CinemaScope, 1955) and One Hundred and One Dalmatians (1961) and the financially disappointing Sleeping Beauty (in Super Technirama 70mm, 1959) and The Sword in the Stone (1963).
Production on the short cartoons had kept pace until 1956, when Disney shut down the shorts division. Special shorts projects would continue to be made for the rest of the studio's duration on an irregular basis.
Disneyland, one of the world's first theme parks, finally opened on July 17, 1955, and was immediatly successful. Visitors from around the world came to visit Disneyland, which contained attractions based upon a number of successful Disney properties and films. After 1955, the Disneyland TV show became known as Walt Disney Presents, went from black-and-white to color in 1961--changing its name to Walt Disney's Wonderful World of Color--and eventually evolved into what is today known as The Wonderful World of Disney, which continues to air on ABC as of 2005.
During the mid-1950s, Disney produced a number of educational films on the space program in collaboration with NASA rocket designer Wernher von Braun: Man in Space and Man and the Moon in 1955, and Mars and Beyond in 1957. The films attracted the attention of not only the general public, but also the Soviet space program.
Early 1960s successesEdit
By the early 1960s, the Disney empire was a major success, and Walt Disney Productions had established itself as the world’s leading producer of family entertainment. After decades of trying, Disney finally procured the rights to P.L. Travers’ books about a magical nanny. Mary Poppins, released in 1964, was the most successful Disney film of the 1960s, and many hailed the live-action/animation combination feature as his greatest achievement. The same year, Disney debuted a number of exhibits at the 1964 New York World's Fair, including Audio-Animatronic figures, all of which later were integrated into attractions at Disneyland and a new theme park project, to be established on the east coast, which Disney had been planning since Disneyland opened.
"The Florida Project" Edit
In 1964, Walt Disney Productions began quietly purchasing land in central Florida west of Orlando in a largely rural area of marginal orange groves for Disney's "Florida Project." The company acquired over 27,000 acres (109 km²) of land, and arranged favorable state legislation which would provide unprecedented quasi-governmental control over the area to be developed in 1966, founding the Reedy Creek Improvement District. Disney and his brother Roy then announced plans for what they called "Disney World."
Plans for Disney World and EPCOTEdit
Disney World was to include a larger, more elaborate version of Disneyland to be called the Magic Kingdom, and would also feature a number of golf courses and resort hotels. The heart of Disney World, however, was to be the Experimental Prototype City (or Community) of Tomorrow, or EPCOT for short. EPCOT was designed to be an operational city where residents would live, work, and interact using advanced and experimental technology, while scientists would develop and test new technologies to improve human life and health.
Death of Walt DisneyEdit
However, Disney’s involvement in Disney World ended in late 1966, when he was diagnosed with lung cancer in his left lung, after a life-long habit of chain smoking. He was checked into the St. Joseph's Hospital across the street from the Disney Studio lot and his health eventually deteriorated. He was pronounced dead at 3 AM PST on December 15, 1966, having just celebrated his sixty-fifth birthday two weeks earlier. Roy Disney carried out the Florida project, insisting that the name become Walt Disney World in honor of his brother. Roy O. Disney died three months after the Magic Kingdom opened for business in 1971.
The Epcot theme parkEdit
When the second phase of the Walt Disney World theme park was built, EPCOT was translated by Walt Disney's successors into the Epcot theme park, which opened in 1982. The Epcot park that currently exists is essentially a living world's fair, a far cry from the actual functional city that Disney had envisioned. However, the Celebration, Florida town built by the Walt Disney Company adjacent to Walt Disney World harkens back to the EPCOT vision.
The Disney entertainment empireEdit
Today, Walt Disney's animation/motion picture studios and theme park have developed into a multi-billion dollar television, motion picture, vacation destination and media corporation that carries his name. The Walt Disney Company today owns, among other assets, four vacation resorts, nine theme parks, two water parks, thirty-two hotels, eight motion picture studios, six record labels, eleven cable television networks, and one terrestrial television network.
Disney theme parks todayEdit
Today, what was known as the Florida Project is now the largest and most popular private-run tourist destination on the planet, but the Walt Disney shine is still there. From the 'Partners' statue at the Magic Kingdom to the Tree of Life at Animal Kingdom, Walt Disney is still remembered and his vision is still continued. His fascination with mass transportation lives in the Walt Disney World Monorail which runs through two theme parks and four hotels, and his dreams of the future live on at Epcot in ahead-of-their-time attractions and technological breakthroughs.
Disneyland has developed from a cramped theme park to an open resort of two theme parks, three hotels and a large shopping complex. Walt Disney World is the a popular destination for vacations by tourists worldwide, and Tokyo Disneyland is the most visited theme park in the world (it's sister park Tokyo Disneysea is the second). In September 2005, The Walt Disney Company will open Hong Kong Disneyland Resort in China.
On May 5 2005, The Walt Disney Company opened the Happiest Homecoming on Earth celebration in front of Walt's Sleeping Beauty Castle at Disneyland, celebrating fifty years of the world's most famous theme park. Walt Disney Parks and Resorts are renowned over the world for their attentions to detail, hygiene and standards, all set by Walt Disney at Disneyland.
Disney animation todayEdit
Traditional hand-drawn animation, with which Walt Disney started his company, was, for a time, no longer produced at the Walt Disney Animation Studios. After a stream of financially unsuccessful traditionally animated features in the early 2000s, the two satellite studios in Paris and Orlando were closed, and the main studio in Burbank was converted to a computer animation production facility. In 2004, Disney released what was announced as their final "traditionally animated" feature film, Home on the Range. However, since the 2006 acquisition of Pixar, and the resulting rise of John Lasseter to Chief Creative Officer, that position has changed, and the largely successful 2009 film The Princess and the Frog has marked Disney's return to traditional hand-drawn animation.
Disney devoted substantial time in his later years funding The California Institute of the Arts (CalArts), which was formed in 1961 through a merger of the Los Angeles Conservatory of Music and the Chouinard Art Institute, which had helped in the training of the animation staff during the 1930s. When he died, one fourth of his estate went towards CalArts, which greatly helped the building of its campus. Walt also donated 38 acres (154,000 m²) of the Golden Oaks ranch in Valencia for the school to be built on. CalArts moved onto the Valencia campus in 1971.
Lillian Disney devoted a lot of her time after Walt died to pursuing CalArts and organized hundreds of fund raising events for the university in her late husband's honor (as well as funding the Walt Disney Symphony Hall). After Lillian's passing, the legacy continued with daughter Diane and husband Ron continuing the tradition. CalArts is today one of the largest independent universities in California today, mostly because of the contributions of the Disneys.
- In the fifth grade, Walt memorized the Gettysburg Address (for fun) and surprised everyone by arriving at school dressed as Abraham Lincoln, the 16th President of the United States. His costume consisted of his father's old coat and a homemade beard. He even pasted a putty wart to his cheek. His teacher was delighted. Little wonder that years later, when his studio created the first fully functioning audio-animatronic human figure for the 1964 New York World's Fair, it was Abraham Lincoln!
- Disney had very simple tastes in food. According to his daughter Diane, "He liked fried potatoes, hamburgers, western omelets, hotcakes, canned peas, hash, stew, roast beef sandwiches. He doesn't go for vegetables, but loves chicken livers or macaroni and cheese." Lillian Disney would complain, "Why should I plan a meal when all Disney really wants is a can of chili or a can of spaghetti?" 
- Although a baptized Christian, Walt Disney was not a frequent visitor to churches. Religious people would occassionaly ask him to make religious films but Walt declined. However a number of his Silly Symphonies featured figures from the Bible. Including :
- Hell's Bells (first released November 11, 1929) , featuring Satan.
- Father Noah's Ark (April 8, 1933), featuring Noah, Ham, Japheth, Shem and their respective wives.
- The Goddess of Spring (November 3, 1934). Featuring Persephone and a version of her uncle/husband Hades/ Pluto, identified here with Satan.
- Noah's Ark (November 10, 1959) . Featuring Noah, Ham, Japheth, Shem and their respective wives. Not officialy released as a Silly Symphony but very similar to them.
- In 1940, the United States Federal Bureau of Investigation recruited Disney as an Official Informant. He was later designated as a Special Agent in Charge contact.
- 'Uncle Walt' could be seen around 1950s Disneyland doing menial chores, like getting strollers for people, tinkering under the hood of a car on Main Street U.S.A., fishing in Rivers of America, or piloting the Mark Twain Riverboat.
- In the fall of 1963, while seeking the site for Disney's new "Florida Project", Walt and Roy Disney first flew over a coastal area of Florida, and then the forest and swamps near Orlando which were selected as the site to become Walt Disney World. Shortly later, their plane landed in New Orleans on the way back to California. There the Disney brothers learned of the assassination of John Fitzgerald Kennedy, 35th President of the United States. He had been assassinated earlier that same afternoon in Dallas, Texas on November 22, 1963.
- One of the audio animatronic pirates on The Pirates of the Caribbean ride introduced in 1967 has Walt Disney's face. It was taken from the same life cast mold that was used to make the statue of Disney that adorns the central square.
See also Edit
- "I would rather entertain and hope that people learned something than educate people and hope they were entertained."
- "You're dead if you aim only for kids. Adults are only kids grown up, anyway."
- "I've never believed in doing sequels. I didn't want to waste the time I have doing a sequel; I'd rather be using that time doing something new and different."
- "Never forget that it all started with a mouse."
- "A prayer, it seems to me, implies a promise as well as a request, at the highest level. Prayer not only is supplication for strength and guidance, but also becomes an affirmation of life and thus a reverent praise of God."
- Barrier, Michael (1999). Hollywood Cartoons: American Animation in Its Golden Age. Oxford: Oxford University Press. ISBN 019-516729-5.
- Mosley, Leonard. Disney's World: A Biography (1985, 2002). Chelsea, MI: Scarborough House. ISBN 081-288514-7.
- Schickel, Richard and Dee, Ivan R (1967, 1985, 1997). The Disney Version: The Life, Times, Art and Commerce of Walt Disney. Chicago: Ivan R. Dee, Publisher. ISBN 156-663158-0.
- Thomas, Bob (1991). Disney's Art of Animation: From Mickey Mouse to Beauty and the Beast. New York: Hyperion. ISBN 156-282899-1
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